Miles Davis – So What
In 1959, the world of jazz underwent a dramatic transformation.
That year saw the release of Kind of Blue, a landmark album that not only marked a turning point in Miles Davis’s career, but also changed the very direction of jazz.
Opening the album is “So What,” a track that became the definitive symbol of modal jazz and a quiet revolution in the genre’s evolution.
Background and Context
“So What” was recorded on March 2, 1959, at Columbia’s 30th Street Studio in New York.
It was composed by Miles Davis himself and chosen as the opening track of Kind of Blue.
The title, “So What,” reflects Davis’s famously cool attitude and rebellious spirit.
At the time, the dominant style in jazz was bebop, which relied heavily on fast-paced chord changes and technical improvisation.
Miles, however, pursued a simpler, more spacious approach. That approach became known as modal jazz.
Musical Features
The piece is based on just two modes: D Dorian and E-flat Dorian.
Its structure is remarkably minimal, which places emphasis on the creativity of the soloists.
The tune begins with a quiet and evocative piano introduction by Bill Evans, followed by the famous “So What” motif played by the bass.
This motif sets the stage for a sequence of solos by Davis on muted trumpet, John Coltrane on tenor saxophone, and Cannonball Adderley on alto sax.
Each player brings a distinct personality, expressing freedom within the piece’s restrained harmonic landscape.
Historical Significance and Influence
“So What” broke the long-held assumption that jazz improvisation must revolve around rapid chord changes.
By relying on just two modes, the song demonstrated that deep musical expression could be achieved with far fewer harmonic shifts.
This had a profound impact on the next generation of jazz musicians, offering them more space and freedom in their playing.
Through this track, the listener can also experience the contrast in individual styles: the delicacy of Bill Evans, the boldness of Coltrane, and the soulful phrasing of Cannonball.
It captures a perfect snapshot of jazz’s golden era.
Conclusion
“So What” is not about flashy technique or complexity.
It’s about silence, space, nuance, and atmosphere.
Its restrained surface conceals a powerful energy, and its minimalist structure allows for limitless creative potential.
For anyone wondering what jazz truly is, this track provides a quiet but powerful answer from Miles Davis himself.
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